woensdag 4 november 2026

Divinity within humans: I-and-I, Rastafari, and other faiths

What is called “I and I consciousness” within the Rastafari movement, is – in my experience – the least known or most difficult to explain aspect about Rastafari as worldview. To outsiders, that is.

At the same time, I argue, it is one of the most crucial aspects, at least spiritually.

“I and I consciousness” can be defined as a total oneness between all people and the divine – manifested within one person - , with one of the “I”’s representing the divine (or God, Jah), the other “I” the person. "I-and-I is used instead of "we", while rejecting also the other pronoun "you", as causing only separation and division between humans, while there is spiritual oneness among them.

This also implies that the (shared) divine resides within each individual.

This here ("dis ya" in Jamaican patois) YT video (underneath) explains the concept quite adequately related to what I learned before. While the communal "unity", and "equality" aspect I-and-I implies and stimulates is valuable and true too, and I don't want to downplay it, this post is more about the "divinity within humans" part of it, though these aspects logically interrelate..

This recognized "divinity within humans" within the "I-and-I consciousness" (the video also confirms) is in fact a sharp difference with the distant, external God or Creator – to which people (God’s creations) are submitted – as in Abrahamic religions: Judaism, Christianity, and Islam.

This difference can on the one hand be explained through Rastafari’s social history: from a colonial subject to a proud - and divine! - being, connected to Africa. A rebellious response to dehumanization since slavery of Africans, continued in an unequal (neo)colonial order in the West.

Some scholars explain it as such, as a rebellious spirituality. This is as such not untrue.

A social response, yes, but the “I and I” concept did not arise in a cultural vacuum. Of course the Afro-Jamaicans shaping Rastafari since the 1930s, carried an African spiritual legacy with them. I will argue in this post that the deeper origins of “I and I” should be sought within the cultures and beliefs of African ancestors, and their spirit- and ancestor-based faiths, “religions”, and traditions.

This is in some sources more or less acknowledged, but seemingly grudgingly. The (supposed) influence of Hinduism on Rastafari is documented and promoted much more, I noticed. A strange bias, even if in Hinduism there is indeed also an idea of “divinity” within all humans, but that is in fact the case for most older spiritual beliefs or “religions” (older than the Abrahamic ones), including animist and pantheic ones (that see the divine in everything, not just humans), everywhere in the world. Why attention to the Hindu influence, over traditional African ones, more connected to the actual ancestors of most Jamaicans?

AFRICAN ORIGINS

Jamaica’s enslaved African population were forcibly brought from various parts of Africa, but overall relatively many from what is now Ghana, belonging to Akan-speaking people. Historical figures estimate the percentage at about 50% of all Africans ending up in Jamaica (being Akan): substantial yet not overwhelming. Also members of the Igbo people (from SE Nigeria) ended up relatively often in Jamaica, in some parishes (especially in Western Jamaica) representing 20 or 30 % of all slaves. Also slaves and Africans from Central Africa – the Congo region – were quite present in Jamaica, in their case more in Eastern Jamaican parishes like St Thomas.

Many plantations consisted however of mixed populations, with relatively many Akan (called then Coromantee).

All this serves to contextualize what spiritual ideas these Africans brought with them.

Original Ghanaian/Akan, Igbo, and Congo “religious” beliefs all shared certain basic characteristics, This includes an overall structure of a supreme deity: not approachable, distant, neither meddling in human lives. This meddling is left to lesser/lower deities, and to spirits of the ancestors. This makes them perhaps polytheistic, though that term is too simplistic, I think.

What’s interesting is that all these traditional beliefs from different parts of West and Central Africa share as well that that “supreme deity” or “divinity” is represented, - “trickled down” for lack of a better word – within each human being, as an inner divine spark. This divine spark within human beings can take different forms and dimensions, but it all differs from the one abstract or heavenly God, as in Christianity and Islam.

MAINSTREAM CHRISTIANITY AND ISLAM

In mainstream Christianity, after all, the holy spirit requires “indwelling” (like a conversion) implying that the divine thus does not reside in all humans by birth. Some alternative thinkers or theologists within Christianity hinted a bit more at an “inner divine spark” in all humans, such as the Spanish mystic Santa Teresa of Avila or the Italian Thomas of Aquino, and among the Gnostics, also pointing at an inner divinity through God’s spirit. Mainstream Christianity lambasted this as “heretic”, preferring to separate creation (human creatures) from the Creator, as does also Judaism and Islam.

This is different in original Akan, Igbo, and Congo spiritual ideas and cosmology, wherein (in different forms and degrees) the divine is present as a “spark”, and energy within all humans (individuals) by birth, at the same time often connected with the ancestors and community. Also in “Eastern” religions, such as Hinduism, this idea of the “divine present in all humans” is present, as well as in Chinese Taoism, ‘Tao” being an ultimate divine principle, present in all things, including humans.

Islam separates creator and creation even more than Christianity or Judaism, seeing as heretic all suggestions of the divine residing in (or even “entering”) humans, only the more mystic (and freer) Sufi orders within Islam think a bit more in that direction, such as the Marabout in (Mande-speaking) Western Africa, maintaining pre-Islam spiritual aspects within their brand of Islam. Mainstream Islam – however – rests on a sharp and uncompromising boundary between the Creator and creation, to maintain the uniqueness and “oneness” of God, but a oneness apart from humans, that the latter should submit to and study. Tellingly, the very word “Islam” is Arabic for “submission”, i.e. to that one, supreme God (Allah in Arabic).

You have submitters and creators, apparently.

Again, an important difference with traditional African spirituality and cosmology, with less that separation, in different ways.

KRA

Does the Akan spiritual tradition have an inner divine spark, that is present within – or enters - humans? Yes, but so do the Igbo and Congo traditions. Partly, it is conditional, seemingly setting it apart from Hinduism and Sikhism having that divinity within humans more as “standard” and statically present.

Delving into Akan, Igbo, Yoruba, and Congo traditional beliefs, one can conclude – however – that personal life forces always have a link with a higher divinity, like a “divine spark”, so to speak. In Ghanaian or Akan religion this personal divine connection within a human being is called “Kra”. An individual carries this divine spark. Essentially this is not very different from the “I and I” concept within Rastafari.

In the Igbo traditional belief and cosmology, what is called “Chi” connects similarly to a divine inner spark or “destiny” within each human.

In the Congo (Bukongo) beliefs the supreme deity (remaining distant), known as Nzambi, leaves a divine spark in each human. This is - as elsewhere in Africa - more potential and dynamic than static, as man’s actions influence - can dim or strengthen - this inner light. Doing good and moral things strengthens this divine light within. It can be polluted, or dimmed, but is there.

A beautiful thought, in some way, and also – in essence – resembling “I and I” within Rastafari, as harmony is desired communally and spiritually. Referrences to “badmind” (envious) people, backstabbers, or “wolves in sheep clothing” - condemning these -, in Rastafari-inspired Reggae lyrics, attest to this.

It seems to me that such origins (at least in part) within the African diaspora make more sense than a supposed influence outside of Africa (e.g. from India).

WIDER STUDY

For this post, I even went that far to study how the “inner divine” in humans is viewed in various worldwide religions/belief systems. Not just in Africa. Doing this religion-wide, global study, I realized that it was something I myself really wanted to know too: having a broad overview.

Like I mentioned before: most, older “religions” worldwide – before Abrahamic Judaism arose – had in some way an idea of an inner divine connection, a spirit within each human. In mostly animist and pantheist religions, such as the Amerindians had, as well as the Aboriginals, partly some African peoples, and (e.g.) the ancient Celts or Basques in Europe, divinity is in humans, but is not uniquely human: assumed also present in the natural environment, in trees, mountains, lakes, and animals. Humans just share in that spirit. That is animism or pantheism, that moreover neither tends to recognize an “external, or upper god” (or plural gods).

Sikhism, Zoroastrianism and the best-known Hinduism as ancient Indo-Persian belief traditions, have in fact as “standard” this “divinity within humans”, but connected to upper deities. This Hindu “inner divine” shares in this sense some similarities with African traditional faiths, but is only more static, taken for granted, in African faiths more conditional and relational.

Some religions, such as Buddhism, Shintoism, Taoism, Amerindian faiths, and others, do not have external or “sky” gods or “upper deities” as such, but still see humans as part of a total, spread and shared, spiritual, divine essence. In Shintoism this divine spirit within humans is neither taken for granted, as it is seen as corruptible, requiring in cases “cleansing” similar to as in other (also African) religious traditions, worldwide.

An interesting parallel across cultures and continents, but also intriguing differences in the precise manifestation or functions of this “inner divinity”.

RITUALS

I already described recurring tenets of traditional African religions, in which ancestors are important, as are lesser deities influencing lives, alongside divinity in humans.

That inner divine spark (from upper deities) in humans in African religions tends to be – interestingly – more conditional and dynamic than in Hinduism. It can be affected (corrupted, weakened), but also invoked and strengthened, in which rituals and rhythmic music play a part.

This conditionality has echoes in “I and I” within Rasatafari, whereby (a present) consciousness is enhanced or aroused through “meditation”, drumming and chanting, marijuana use, and/or “reasoning” sessions among Rastas, which is discussing deeper issues.

Yoruba-derived, Afro-Cuban Santería has an inner divinity in each adherent, called “Ori” (literally “head” in Yoruba), but also requiring maintenance – by good living - or occasional cleansing (ritually) before other deities can help you, or “mount” you for guidance. This inner divine “ori” needs to be purified for that. Rituals required are usually accompanied by percussive music, explaining in part Cuba’s rich musical tradition.

At the same time, the music shows another parallel with “I and I” in Rastafari, among whom the Nyahbinghi drumming and chanting have a meditative purpose, to strengthen “I and I”, both in the community and in the spiritual sense. Deities and their personification certainly differ, as the deities in Santería tend to be deified ancestors (male and female) with special powers (like Shango, Yemayá), while Rastafari adherents – formally believing in One God - focus on Haile Selassie I in Ethiopia as – manifestation of - Jah/God, and at the same time king and emperor. Further, Rastas refer to the Bible, or to Marcus Garvey, and other Black thinkers and activists. These explicitly – rationally/intellectually, one might say - are related to African roots and an Afrocentric worldview, whereas it’s more implicit in the spirit possession religions like Santería or related Haitian Vodou.

BROAD STUDY: COMPARISONS

The parallels with Rastafari became clearer through this broad intra-faith, global study of mine, which I found very educational, but I learned new things about world “religions” or spiritual traditions (and their history) beyond that as well.

Germanic mythology apparently taught that humans were made originally from wood (tree trunks) by upper deities, while the Celts south of these Germanic peoples (France, Alpine regions, later Britain and NW Spain) were originally very animistic in their beliefs (the holy oak, but toward whole nature). Pre-Roman people in what is now Spain (Iberians, Mediterranean, Celtic a.o.) apparently gave bulls also a divine status, as archaeological studies showed. Ironic, seeing the dwindling but still practiced bullfighting tradition of Spain, that many see as animal-unfriendly. Maybe the bullfighting represents a fight against pre-Christian idolatry, some historians therefore argued.

North of these Iberians, the Basques in the western Pyrenees region and Northern Spain/SW France have an old culture with spirituality originally related to “Mari”, a feminine deity, that can be associated with “Mother Earth”, leaving a divine spark within humans. Later, with Christianization in Iberia from about 200 AD, Basques would become quite Catholic, even influential within Catholicism in Spain and Europe (the Jesuit order was founded by a Basque, for instance), and Basques were important in Spain’s Christian “reconquista” on Muslims, but they had apparently an older traditional belief, which was qua divinity more “ground” and nature than “sky” and “book” (as later Christianity) based.

This idea of a sacred, feminized “mother earth” can be found among several older, religions of an animist nature throughout the world, including among the Amerindians and Aboriginals, usually adding roles for ancestor spirits.

For ancient Greek philosophers (like Plato), the “thinking mind” of people were signs of the divine, which seems sensible to me, and not unlike what the other, older religions stated (in more mystical terms, perhaps), or through the term “soul”, also in Christianity.

Igbo spirituality was in comparison more individualistic, and less hierarchical (lacking priesthoods, kings, and such), than the Akan, Dahomey (Fon/Ewe), or Yoruba belief structures elsewhere in Africa, who had hierarchies with kings and priests. This reflects the more decentralized, rural living in Igbo land (now SE Nigeria), compared to the more centralized, and urban-based Yoruba social structure (now SW Nigeria, and parts of Benin). With the city comes hierarchy, this made me realize. A deeper lesson!

While setting out to study Rastafari’s “I and I consciousness” and its connection to ancient African traditions of the ancestors, my broader study of all these different belief< systems in the world, and divinity within it, thus proved very insightful for me too.

ZOOMING OUT: DISRUPTION?

Especially when looking at it from an “eagle’s” or “bird ‘s” view – or “zooming out” in modern computer parlance - , as a general overview, I noticed that the Abrahamic religions now so dominant in this world (Judaism, Christianity, and Islam) are in fact exceptional, from a historical perspective, representing a “disruption” , if you will. They started denying after all the “divine”, the “godly” as inherently present in humans, in creation – unlike virtually all preceding beliefs among humans - , but asked of humans only to try to resemble, and submit to “God” or “Allah”, in Judaism and Islam. Divinity seems with this removed away from the human. That I find dubious..

In Christianity, Jesus somehow represents the divine spirit in a human being, and in old Christianity, such as in Ethiopian Orthodox Christianity or Armenian Orthodox Christianity, this original meaning of Christ is maintained. More than Catholicism, and especially Protestantism that came later.

Orthodox Christianity after all centralizes Jesus as embodiment of a human as divine, and also as model: God became man, so that man can become God. Giving oneself to this spirit of Jesus enforces in that sense thus humans’ inner divinity. Jesus represented not just “another higher God” or his holy son, that humans must serve, but rather embodies the divine within humans. That’s certainly another way to look at it, than what mainstream Christianity in Europe mostly came to promote.

Reading about this in Ethiopian Orthodox Christianity (Tehawedo), I concluded that Ethiopian Christianity was in fact more Christian than Christianity as I know it in Europe. Catholicism had some avenues for “deification”, or the inner divinity or spirit, entering within mortals, but these few disappeared with later arising Protestantism (early 16th c.). Text-, scripture-focused Protestants maintain – based on “the fall of man” in the Bible - that humans are sinners by nature – maybe forgiven through God’s grace, while Catholics uphold humans’ good essence, only “wounded” by sin. The latter – with all the criticism institutional Catholicism and the Vatican gets and/or deserves – sounds in my view a bit more sympathetic and humanistic. In the context of this post, it might also be that the “goodness of God” – as creator – is left in his/her creations. That’s a good thing to say about Catholics, but the same idea was even stronger in older (Orthodox) – “original” Christianity.

I concluded from my broad overview and the “zooming out” above all those religious views, that Islam and Protestantism are most opposed to “inner divinity” within humans. To a lesser degree, also Judaism, Catholicism, or Orthodox Christianity rejected this “inner divinity within humans”, and likewise set clear boundaries between creator and creation (just allowing a bit more flexibility than Islam or Protestantism).

REJECTION OF INNER DIVINITY

Why this sudden rejection in Judeo-Christian and (later derived) Islamic religion of that divinity within each human? I began to wonder then. Was there a fear of that inner divinity within humans, believed in for so long? Of them taking control and responsibility of their own lives and lot, not subjugated to “powers that be” in societies, but using their own agency, or “divinity”? Did Abrahamic religions more truthfully arise to thrive for domination over the masses, rather than seeking their redemption, enlightenment, or consolation? Power games disguised as spirituality and faith?

Islam behaved historically as a conquering, aggressive religion, but Catholicism later likewise (since Columbus in the Americas), and European/British Protestantism as colonial religion (also in Jamaica, where Rastafari originated, or e.g. in Apartheid South Africa) all were dominant and oppressive, often as part of exploitative, enslaving societies, with unequal power relations.

Black, Protestant Christian-derived churches (adding African spiritual elements) arose also in Jamaica, just like in the US South among African Americans, adding more the idea of “possession” and inner divinity, along with other African retentions, also musically.

Rastafari historically drew on that (Black Protestant-Christian faiths), among other influences, such as on other local African retentions (Akan, Igbo, Congo) within Jamaica, from (Congo-based) Kumina and Burru spiritual movements outside the churches, perhaps some Indian influence as some stated, and on reinterpreting the Bible, to take it further toward a recognized inner divinity within humans – in this case African Jamaicans -, thereby opposing submission to a colonial order, and one’s dehumanization, rather foregrounding one’s agency and creative force. Also to stand up for one’s rights.

That is the spiritual part, as condition for one’s own agency. That agency, then, directs attention to the African roots and history, rationalized but mixed with spirituality, as the “thinking mind” (as Plato and Aristotle thought) – or the “soul” of humans - by itself represents divinity within humans.

Marcus Garvey’s views on religion were important here. Garvey noted that all races have their gods and deities as their racial/geographical likeness (Chinese Buddha, Indians Shiva etc.), except Africans in the diaspora, often worshipping a whitened, European Jesus. Haile Selassie – whose crowning in Ethiopia in 1930 Garvey seemed to predict – offered such an own, African god or deity to Black, African-descended people, in the form of an African emperor. Like Jesus in old Orthodox Christianity, he represented a divine figure (some Rastas even dispute that, but leaving that aside), at least representing the “divine spirit” within a human.

That Haile Selassie I considered himself a Christian – believer in Christ – need not even disturb that, unless you can take things only literally.

Relatedly (somehow), Christian art in Ethiopian Orthodox churches, monasteries, and elsewhere within Ethiopia, depict Jesus, the apostels, the three wise men, Mary, and so on, but all as local Ethiopians, with the Ethiopian phenotype (dark skin, frizzy hair, Afro’s, etcetera).

The spiritual and social within Rastafari thus connect, with the “I and I consciousness” as vehicle, a means, created within an own culture, organically. This self-created spiritual vehicle in turn served to express the purpose of Black redemption and liberation.

This makes it both unique and emancipatory.

PROBLEMATIC

This reflects in Reggae lyrics – “I and I” as concept – sometimes even explained in some lyrics, such as in Black Uhuru’s Rasta anthem “I Love King Selassie”, or in the Congos “Open up the Gate”, and even in some of Bob Marley’s lyrics that “inner divine” within I and I can be traced. This means that lyrically Bob did not sell out, using the same Rasta terms as less commercial Rasta artists at the time, such as Culture, Israel Vibration, Dennis Brown, the Itals, and many others. The “I and I” notion recurs in Reggae lyrics of newer or today’s artists too, if they are Rastafari, albeit with personal touches.

As also heard in Reggae lyrics, however, is critique of Vodou and Obeah, being African-based belief systems, but associated with witchcraft with negative intent.

This seems contradictory to Rastafari’s Afrocentric character, yet can be explained by the Protestant Christian context Rastafari arose in Jamaica, since the 1930s. Many Rastas grew up with such Protestant tenets, as reading the Bible, with reverends lambasting old “magic” practices.

Besides just repeating Christian critique, it might also be that the Bible with monotheism seemed maybe to give a more solid “purpose” to the movement than vague remembrances of polytheistic, spirit and possession religions from forefathers.

Besides the eschewing of “magic”, spirit of the dead, or “spirit possession” – and the several deities, instead of just one - of traditional African religions of the Akan, Igbo, Yoruba, or Congo ancestors – the role of Good versus Evil is less clear than in the more rigid Bible.

There is indeed an idea – and a preference! – for the good within these African traditional beliefs as in the Bible, but this is more fluid and intra-human than as in the Christian external “devil” attacking mankind. Harmonizing or cleansing rituals take place, more in a concrete, communal sense.

Even the Congo beliefs that recognize such bad “magic” (spells on people, etcetera) more, still show preference for the good to overcome, though this requires spiritual work.

MUSIC AND DANCE

Again music, especially percussive and with drums, tends to be important in these spiritual process, including the dancing to it.

Some anthropologists even called these African traditional religions “danced religions”, as dancing is done for possession, healing, and harmony spiritually and communally.

That rhythmic, percussive music within spirituality is an African retention, sustained in e.g. Nyabinghi drumming, and even some present-day “conscious” Reggae, even if that is a secular music genre.

One article in the academic “collective volume”, ‘ Chanting Down Babylon : the Rastafari reader’ (ed. by Nathaniel Samuel Murell, William David Spencer, and Adrian Anthony McFarlane,1998), has as title ‘African dimensions of the Jamaican Rastafarian movement’ (by Neil J. Savishinsky), and addresses some issues I mentioned here: the strong relationship between dance, music, and religion within African culture, stronger than on other continents, and with percussion and rhythm being important as another African trait.

A specific link between “music” (or even movement/dance) and spiritual beliefs is found in some cultures outside of Africa too – of course -, but is most prominent and worked out in Africa, especially regarding dance, percussion, and rhythm. Savishinsky explains well how this African retention of “danced faiths” is present in Rastafari practices, as well as in Reggae music. Dancing to “conscious” Reggae shares the same essence.

Savishinsky does, however, not mention “inner divinity” notions as part of the “African dimensions’ of the title, keeping it practical.

Another article is the same volume is titled: ‘The epistemological significance of “I-an-I“ as a response to Quashie and Anancyism in Jamaican culture’, by Adrian Anthony McFarlane.

This sounds interesting and seemingly touching the theme of this post (“I-an-I”). McFarlane definitely describes it adequately enough, and as explicitly “Jah within” Rastas, i.e. (broader) an example of divinity residing within humans.

ORIGINS?

In McFarlane’s article, though, the origins of this “inner divinity” is hardly analyzed, neither elsewhere in this volume of scholarly articles (‘Chanting Down Babylon : the Rastafari reader’), only a vague, Eurocentric connection to Plato’s philosophy is made.

Other articles and works I read discuss a Hindu influence on Rastafari, as there was an East Indian minority in Jamaica, often in same social spheres as lower-class “Black“ or African Jamaicans, thus interacting. The word “ganja” and marijuana use being such an influence – even that is disputed, the Congo region in the African motherland had early marijuana use too, with spiritual dimensions. The quite harsh and ugly separation of menstruating women as impure is found among Hindus, but also among African Jamaicans (and other Afro-Caribbeans), and some Rastafari adherents, such as those of the Bobo Shanti mansion, resulting in temporary gender separation.

The “inner divinity” the Hindu faith does acknowledge and honour might be an influence too, but it was also present within own cultural spheres, of African roots. Indians were still a minority, and were in addition not always Hindu, including quite some Muslims too.

I still do not discard the possibility that a mix of influences (inner and outer) came to Rastafari’s founders and elders over time, but I find the African origin of an “divine spark in humans”, found in Igbo, Akan, and Congo spiritual traditions – along with the music and percussion focus from those African cultures – a more plausible route – or dominant wave - in shaping Rastafari’s “I-an-I” consciousness and concept.

All the more odd that this origin is virtually ignored and disregarded in most academic studies about Rastafari, aided – perhaps – by the bad name Vodou- and Obeah-like spirituality has among common Jamaicans, and even among Rastas, as some type of anti-social, evil, ill-intended witchcraft.

This is clearly a Protestant and Biblical influence on Rastafari, as is the scepsis among some Rastas of “ancestral spirits”, that also Afro-Jamaican cults like (Congo-based) Kumina uphold, as “spirit of the dead”, Rastas like Levi (priests) in Judaic tradition, avoid death, and dead bodies, and the strictest ones thus don’t even go to funerals of loved ones. African traditional religions – on the other hand - give a role to such deceased ancestral spirits for the communal harmony, and often even present death of an individual as “becoming fully divine”.

Taken too literal it can go that way, but in many spiritual issues things or words should not be taken always literal. A main mistake Christians and Muslims made throughout history, by the way. As Rastafari look back to the African roots, ancestors still play a spiritual role.

Perhaps not as wandering “spirits of dead”, but rather as part of the wider “I-an-I”, along with Jah, the person, other people,.. and his/her natural ancestors..

As on other matters, opinions among Rastas may differ, to be sure, and Rastafari tends to attract free thinkers, but the eschewing of Vodou or Obeah recurs throughout Reggae lyrics by different artists, and in the rituals of the Rastafari mansions (Nyabinghi, Twelve Tribes, Bobo Ashanti). Nyabinghi chants are for instance often derived from Protestant church songs, “Rastafaried”, so to speak lyrically, and musically Africanized, with polyrhythm and call-and-response added.

GENDER

I have mostly left out gender (male-female) aspects from my analysis in this post. This is certainly relevant and significant, as in the said Abrahamic religions (Judaism, Christianity, and Islam) the One God is described as male, while older religions (that recognize inner divinity) have more space for female deities, like Hinduism and African traditional faiths, or the historical beliefs of Celts, Amerindians, and others. Several cultures on all continents had a feminized earth “Mother Earth” as main deity or divinity/divine essence.

This is maybe interesting for another post – the gender dimension -, but has some relevance for this post. Aside from presenting God as male, the Abrahamic religions are – let’s face it – patriarchal and discriminatory toward women. Also the Bible, although there was more progress in a more open, humane interpretation than in Islam, wherein women’s second-class status is still today more or less normalized under the guise of religion.

The link with denying “divinity within humans” is hard to make, though. Hinduism knows female deities, and partly equality in theory, but overall has in current practice many female-unfriendly, discriminatory practices, like in Islam, dictated by men. The idealized – read demanded – purity, and restraint, for women in sexual and leadership matters is there in Hinduism (less expected of men).

There are more examples of women’s discrimination and lower status within Hinduist practice, including e.g. still occurring widow burning.

Hinduism recognizes further a divine essence in humans, but also influential female deities, resulting in an odd mix.

This “purity” idea and subjugation certainly were there too in the Abrahamic religions. The Bible, the Quran, and Hadith all show a fear of “free women” and with that “free female sexuality”, that is curtailed for women, but more or less expected (even celebrated) for men.

Jamaican Rastafari thinker and poet Mutabaruka argued that “insecure men wrote the Bible and Quran”, explaining the hostility against female equal rights and freedom in those “holy books”. Mutabaruka is one of those Rastafari adherents, by the way, who thinks the Bible and Christianity are overemphasized as base within the Rastafari movement. Other Rastas remain however quite “Biblical”, so opinions differ in this regard too.

A link with the “divinity within humans” in religions/faith (or not) can be that if all humans have that divinity within, with no male leaders or spokespersons speaking for that one God, that equality between men and women would also be accepted. Hinduism (and other examples) contradict however this seemingly logical outcome.

Gender inequality is often so deeply ingrained as a social problem, not even spirituality apparently can improve this.

African traditional faiths do have much more equality for women, with little structural discrimination, though it differs per tradition, including some that historically tolerated having concubines for powerful men.

In Afro-Caribbean Vodou and Santería, and related faiths in Africa itself, women often have leading roles in practice, organizing rituals and such, while that “sexual restraint”, many religions demand of women, is not so present. This also shows in dance, and more or less tolerated polyandry (albeit alongside more open polygamy for men).

CONCLUDING

After my extensive analysis and study of “divinity within humans” in spiritual movements worldwide, and in Rastafari in particular, I can conclude some interesting things.

The comparison of all those religious and spiritual movements all over the world opened my eyes for some deeper truths. I realize now more strongly that removing the divinity from within humans was a disruption by Abrahamic, “holy book”-based religions. An aberration, historically.

Whether this was out of sincere conviction, or deliberate for power and domination reasons, - or both – is difficult to tell. Judaism for instance did not seek to convert so much, at least initially. This removal of intra-human divinity still can have domination or “political” reasons, but then within the own, in this case Jewish, community, namely acquiring more submissive, less questioning followers or believers, to be manipulated and led, etcetera.

This might be a too negative interpretation of mine, I realize, maybe some men just liked that external One God idea so much that they promoted it (aided by books), without thinking it through.

Deliberate or not, several historians pointed convincingly at the historical connection between Protestantism and its values and tenets with the rise of Capitalism, in industrializing England since the 17th c. Industrialization (that was financed by Britain’s colonial and slavery gains, by the way).

Some historians point out that Muhammad the prophet of Islam was in fact an early example of a capitalist businessman when he received his calling to spread Allah’s words.

Feodalism preceded capitalism historically, but Capitalism was hardly an improvement: it continued dependency now not on landowners but on people with more money. Dependency of the common, poorer folk, and their exploitation. Serving an external, higher God, served as “opium for the masses” as Karl Marx famously stated.

Abrahamic religions thus oppose divinity – read own agency and control over one’s life and lot – within each human. You can’t have that when you want to control and exploit the masses, proving for exploiters a beneficial side-effect of non-divine human beings. Cynical, but untrue?

I am just thinking freely and out loud. Yet, Rastafari adherents mostly emphasize self-reliance for this reason, avoiding dependency and exploitation, aided by the divinity within humans they do recognize, as implied within the “I and I consciousness” notion among Rastafari, many (perhaps not all) also try to live by. Of course, it is also a response to the history of enslavement and oppression Afro-Jamaicans faced for over 400 years in the West.

CONDITIONAL

African “inner divine sparks” within humans tended to be conditional, and to be affected by social circle, surroundings, circumstances, communal disharmony, and such. This shows some wisdom, in that upkeep or cleansing of one’s divine spark within is required to procure “positive, harmonious living”. Maybe some who consider themselves divine do evil or harmful things to others, regardless or even because of that (as history showed). This conditionality thus emphasizes positive divinity, adds a moral, social harmony dimension, whereas in e.g. Hinduism it seemed neutral.

HEALTHY INDIVIDUALITY

The Igbo faith’s “Chi” idea, which intrigues me a lot, is highly individual, as that divine personal energy – or destiny – known as Chi, is largely individually determined (own goals, ambitions, creativity, and desires), with less “social conformity” or “group pressure” than in other faiths. True self-reliance and self-confidence, fitting Marcus Garvey’s and Rastafari’s ideas; self-reliance with still some sense of balance with nature, “social harmony” and equality among all people. Healthy individuality, in place of the capitalist selfish corruption of “individualism” in the West.

In essence, this Chi or “divine spark in a human” consists of nothing more (or less) than taking responsibility for your actions, and your well-being. “Big ego’s” from a sense of superiority, with no or a low conscience – thriving abusively at the cost of others (white collar and other criminals) – rise in the West (and elsewhere) among men, not because one considers oneself divine, but rather – I argue – as an “overcompensation” (to use a psychological term) for not allowing that divinity within oneself and your fellow-humans.

The divine within humans can furthermore be seen as “creativity”, that all individual humans have in them, becoming “creators” too. Not just the so-called “creative types” (artists, composers, and such). Denying that innate human creativity is absurd and suspicious, I repeat.

The very fact that there are so much cultures in the world, with different ways of sense-giving, practices, and spirituality, related also to natural environments and history, shows this inherent creativity within mankind. I have no qualms about associating that with a divine essence. It also might show that humans need spirituality, in whatever shape or form.

Keeping the creative “Chi” clean and working, among “I and I”. This seems therefore a good idea to me.

dinsdag 6 oktober 2026

The intrigue and irony of Spain's Moorish history

Spain’s Moorish past is as intriguing as it is controversial. Historically, this stems from its exceptionality from a European perspective. While Northern Africa and the Middle East are seen as – by now – core areas of Islam, only after Saudi Arabia itself, - not really correctly, but okay. Spain is known as a Catholic European country – even as core Catholic Christian country, only after Italy, in history. This thus bears the ironic intrigue of the contradiction and conflict.

FANATICISM

The fact that most of Spain was under Islamic rule between 711 and centuries thereafter (up to 1492 in Southeastern parts around Granada, but the whole Southern half up to in the 13th c.) contrasts with the fanatic Catholic Christian image Spain obtained by the 16th c., even battling against wayward Christian sects like Protestantism.

This fight against rising Protestantism - starting in Germany in 1517, with Martin Luther -, then expanding, in turn influenced national formations, such as of the Netherlands, over which a Spanish Catholic monarch ruled for a period. The Netherlands maintained a large Catholic minority in its South and parts of the East and West, but was – for who don’t know - founded as an independent Protestant nation by William of Orange (born as a German Protestant). Catholic Spain had to be kicked out, for that reason.The Netherlands declared itself independent in 1581, Spain recognized it only in 1648.

COLONIALISM

Spain’s wicked colonial adventures outside of Europe, notably the Americas, when Christopher Columbus convinced Spanish monarchs since 1492, to become one of the first colonizing countries, “discovering” (read: conquering) lands in the Americas on natives, and claiming them for Spain, also had a distinctly Catholic Christianizing “vibe” to it, at least formally: Christianizing the natives.

Predictably, historical sources point out that the Christianizing zeal of Spanish colonialism was in hindsight not so dominant as motive, as it was presented to the world. The two reigning Spanish monarchs in 1492, Ferdinand and Isabella, that Columbus got to back him, along with some rough Spanish “rough hands” and Portuguese examples, mixed Catholic and monetary, mercenary aims. Ferdinand was by historians known as “less Catholic or pious” in his faith than his wife Isabella, discussing mainly a lot of financial, exploitative, and economic advantages with Columbus, never minding harsh methods (slavery, force). Isabella on the hand at first actually opposed Amerindian enslavement.

Moreover, the documented behaviour and utterances of Columbus himself pointed more at power and monetary gain as his goals than at a pious Catholic stance. The latter was nonetheless maintained for what we now would call “propaganda” reasons: Christianizing the indigenous in the Americas for the Holy Church, via Catholic Spain.

The relationship between this fanatic Catholic image that Spain thus obtained internationally, and the Islamic rule by Moors in Spain not long before, can be seen as intriguing. Did one “religious fanaticism” trigger the other?, one might be tempted to ask. Or was the Genoese Christopher Columbus such a “smooth talker” that he might have convinced other countries if they had the funds? I guess we’ll never know.

The Moorish, Islamic rule in large parts of Spain between the 8th c. and 1492 – also for centuries in areas where many early colonizers of the Americas came from – remains relevant, though. Many of the (in)famous “conquistadores” of American and indigenous (Aztec, Inca, a.o.) lands came from Western Andalusia and Extremadura, once over five centuries under Islamic rule, shaping the regions partly.

FRANCO DICTATORSHIP

The dictatorship under Francisco Franco that held Spain hostage between 1939 and 1975 was known as “Fascist”, but in an own Spanish way, that Spanish way being the Catholic Church, and Catholicism became the state religion. Over time, especially after the fall of the “axis” (Nazi Germany and Fascist Italy) in 1945, the openly ideological “Fascist” aspects were downplayed in favour of a generalized Catholic, totalitarian ideology.

Franco was (unlike Hitler or Mussolini) a practicing Catholic, but had in fact cordial relations with some Islamic leaders, so this totalitarian ideology stimulating “Catholic Spanishness” was more to chain and repress people within Spain (no, not just Catalans or Basques), and fooling the masses with religion, so that they could be easily exploited by elites. This recurs throughout history. There was no “de facto” Islam (only as historical memory) in Spain to fight (unlike e.g. in Bosnia), so there was no ideological fight against Islam or even Protestantism, beyond some rhetorical nonsense in propaganda. It nonetheless confirmed for the outside world Spain’s “fanatical” Catholic image.

Some Spanish historians in fact pointed at the similarities with how the ayatollah regime in Iran used Islam against the people, with how the Franco regime used Catholicism. Women also had less rights than men in Spain then, and public restraint (tongue kissing in public was forbidden) stimulated as well. This became more moderate and less strictly upheld over time (since around the mid-1960s) than in Iran, but was still in formal legislation under that dictatorship.

CÓRDOBA

It is, even when putting aside Spain’s colonial endeavors or dictatorial past, an interesting part of Spain’s national history itself, as a South European nation. I noticed this all the more in Córdoba, in South West Spain, Andalusia, - which I recently visited - which was for some centuries the largest city of the Islamic Moors in what they called Al Andalus (Islamic Iberia): with over 300.000 inhabitants (!) around the year 900: only after 1100 it started to decline. It was then a period the largest city of Europe!

Islamic rulers ruled over large parts of Spain, whereby those from the Almoravid dynasty or Umayyad caliphate (Arab elite, Berber middle class) made of Córdoba their main city for some centuries (10-12 c.): a then quite advanced center of power, science, development, and administration. In some senses relatively advanced compared to the rest of Europe, notably in exact and practical sciences like maths, engineering, and agriculture, albeit not very culturally tolerant toward non-Muslims, neither very enlightened regarding what we now call “human rights”: it still knew slavery (also of sub-Saharan Africans), lower classes, and female subjugation. People who did not want to convert (Christians, Jews) were tolerated, but as second-class citizens, required to pay extra taxes.

Photo above: entrance to the Mezquita-Catedral in Córdoba city.

Visiting it recently, including museums and historical sites, I found that this history still is present in Córdoba, and not just for tourists, as cynics might balk. The big Mezquita (Mosque) from those Umayyad Islamic times is quite central in the old part of the city of Córdoba (now, 2026, with about 250.000 inhabitants), presently not much more than a provincial capital, smaller than other Andalusian cities like Seville or Málaga (with over 600.000 and around 500.000 inhabitants respectively). The Mezquita area is close to the erstwhile Judería (Jewish quarter), with narrow streets, where known philosophers and rabbinic scholar scholars like Maimonides lived.

The Mezquita was so big, that later a cathedral was built in it after Christian reconquest. This Cathedral still functions as such, so the many tourists visiting the Mezquita-Cathedral are told to respect it as a "house of worship", but now only for Catholics. The remaining parts of the former important Mosque. include Visigoth-borrowed "horse-shoe motifs", and some Arabic and North African motifs and decorations in its architecture.
(Underneath a short impression film I made within the Mezquita-Catedral of Córdoba.)

Córdoba is, I found, a very monumental, picturesque, and actually pretty city (also qua architecture), with much maintained history in most of the city. It is not one of those cities with mainly semi-modern monotonous apartment blocks or flats. These were only found on the outskirts.

There was an equally big Cathedral built in that large Mezquita, but also other smaller Catholic churches throughout Córdoba were built on sites of former mosques from that time, bearing often visible vestiges/remnants of them (see photo under). So does much of the architecture and city planning (and place names) in older Córdoba. The Moorish, Islamic history is also still present in some maintained, somewhat adapted, cultural, daily customs (culinary and otherwise) of present inhabitants.

Yet, Córdoba now is at the same time clearly a Catholic city, as e.g. other South European towns, like say Naples, Palermo, or Toulouse. Sure, modernized and secularized more and more, as elsewhere, but less so than in once Catholic cities in Northern Europe, like e.g. Brussels, Eindhoven, Munich, or Cologne, that “secularized” much stronger in the present time. In Andalusia relatively more people still marry in churches, visit churches, or consider themselves Catholic. Of course, the older people more than the young, as elsewhere. That’s the intriguing irony of Córdoba, and perhaps wider Spain: it maintained its Catholic culture and beliefs relatively more than other places in Europe that never were under Islamic rule.

IDEALIZED?

While not only interesting for the commercial tourist industry - but certainly also for “history buffs” like me -, I noticed that Córdoba’s Mosque-Cathedral area was indeed a site of mass tourism in this day and age. I even got a Benidorm or Torremolinos vibe at its worst moments: from many kitschy souvenir shops, to bothersome street hustlers (stereotypical gypsy fortune tellers, or otherwise) seeking prey at some point, even harder to avoid than those shops.

RAYMOND IBRAHIM

Is this the result of an idealization, a hype? Raymond Ibrahim is a podcaster and US historian of Egyptian (Coptic Christian) descent, who is very critical of Islam’s “violent” intolerant history. He argues that Islam’s image of mostly “peaceful” is unjust.

Ibrahim, as of Coptic descent, might be a biased Christian, but he nonetheless is an actual historian, basing himself on historical sources, also in Arabic, which he can read. I find it hard to ascertain whether he is selective in his sources or examples, but he paints overall a negative picture of violence, oppression, and intolerance of Islamic conquests since the 7th c. from the Arabian peninsula, this way even conquering and converting once main areas of Christianity (North Africa, Turkey, Middle East). In Europe Iberia (most of Spain and Portugal) was conquered, as the Moors were held back in France.

Accordingly, he also sheds a different light on the Almoravid or Umayyad caliphate period of Córdoba around 900 and 1000 AD, considered in common parlance - and even by scholars - as relatively advanced and tolerant, pointing instead at sadistic punishments under Moorish rule of Christians at times, a repressive regime, and inequality in society. In the same vein, he stated how heralded scholars in that time like Averroes. only “did what they always did”, and were just Córdobese Jews finding some free spaces under Islamic rule, not because of it, but despite it.

I do not know if this Raymond Ibrahim is totally right – or exaggerated because of bias or his background - , but I consider him as one of several knowledgeable sources.

Tourism stereotypes, and the bias of religious people (both Christians and Muslims), also make it difficult to assess neutrally the veracity, the real situation about Moorish Spain, from written sources.

DHIMMI

What is documented, and sheds another light on Islam's supposed relative tolerance in Spain, was the mentioned tribute/tax - for protection - Christians and Jews (as people of the book) had to pay: tolerated for being also Abrahamic religions, but as second-class citizens: if they did not convert to Islam. This is called "dhimmi" in Islamic tradition.

This was under the Almoravid dynasty. The even more fanatic Almohad dynasty took however over rule in the Maghreb and remaining Spanish/Al Andalus territory (more and more of Spain was by then reconquered by Christians) from 1130 to 1265. They found the preceding Almoravids "too lax" and stopped the Dhimmi/tribute for protection for Christians and Jews, instead forcing conversion. Basically: convert to Islam, die, or flee. Many left. Seville - elsewhere in Andalusia - became Moorish Spain's main town under the Almohads, as Córdoba was in decline at that point. The Christian reconquest progressed by then however, and Córdoba was reconquered in 1236, and Seville (then a main Almohad center) in 1248.

Spain was fully “reconquered” finally by Christians by 1492 (when the last kindom around Granada fell), and afterward knew intolerant epochs against remaining Muslims and Jews, even if formally converted. The same fanaticism and intolerance, however, was thus shown by several Moorish rulers in Spain, as explained before.

If Columbus did not point at and pave the way for the colonial adventure, maybe Spain would have remained just an inward-looking Catholic Christian country with some intolerant epochs, but hopefully diminishing and improving over time, just like – say – Poland, Russia, Ethiopia, or Greece.. to name some other proud nations and countries with longer histories of Christian rulers and cultures.

Information in museums and educational centers in Córdoba I visited were quite neutral and unbiased in tone about the Moorish, Islamic period. I appreciated this: quite realistic, and hardly any “idealizing”, though some simplifying. The interesting Archaeology museum of Córdoba pointed out that Islamic rulers did not like public music or parties, that were therefore kept private, also among wealthy Muslims. This somehow contradicts the “paradise” image in some circles about Moorish Spain. Common secretive parties are usually not a sign of democracy or “free societies”, then and now.

BATHING

Bathing and baths - "hammam" in Arabic - were historically important for Muslims – partly due to Islam’s beginning in the dry and hot Arabian desert - then, and many public baths did arise in Córdoba during that time, relatively many to cater to the 300.000 inhabitants, the city then had. Men and women had different bathing times, and were separated in other areas as well.

I visited the largest remnants of such a Moorish bathing complex in another Andalusian city and provincial capital (Jaén) in NE Andalusia, - built in 1002 on a Roman bath - which interestingly related how several baths had different temperatures of water. It was meant as repose and “entertainment”, for lack of a better word, but unfortunate slaves did the hard work (e.g. oven work) for it..

Jaén as town and provincial capital had some nice parts (like the narrow streeted-old Jewish neighbourhood, some pinturesque streets around the nice-looking renaissance-style cathedral), but was smaller and overall less monumental and historical than Córdoba. The Moorish bath house – part of a wider museum complex now, including modern art – was either way interesting.

There was thus – even with repose or “fun” - an emphasis on sobriety, chastity, and cleanliness. Under the Moors, many fountains and water works were added to patio’s and such throughout Spain, which are of course not a bad thing, seeing the hot climate.

Sometimes the Moors in Spain built forth on Roman examples, took something from other cultures (e.g. the Visigoths or Byzantines) in shaping architecture forms, practices, or lifestyles, a “borrowing” which is in itself neither good or bad. Also the architecture had nice decorations, mostly geometric, so there was undoubtedly some sense of art and beauty in Moorish buildings, besides technical advancement.

CIVILIZATION?

It can be called by itself an interesting “civilization”, just like other preceding and following ones: Roman, Visigoth, Byzantine, Christian. Yet, like those other “civilizations”: also with inherent inequalities, favouring an elite and in-group, warfare, and violence. The term “civilization” can be applied, if not taken too literally. For some reason, though, the term “Moorish civilization” is seldom used by historians, unlike “Roman” or “ Greek civilization”.

By the same token, after all, Roman “civilization” had harsh slavery, hierarchies, and female subjugation too, while the Visigoths – while later heralded as precursors to Catholic Spain – were initially a community that closed itself off from the locals, while fighting internally. Only when the Visigoths replaced the Arianism variety of Christianity with Catholicism, they came closer to local Spaniards, albeit hesitantly, from around the 7th c.

And then (711 AD) the Islamic Moors invaded.

History is often complicated and contradictory. Certainly multifaceted.

POLITICALLY CORRECT

Another aspect which make assessing the reality of Moorish Spain difficult, is what Raymond Ibrahim also lambasts as “woke”, politically correct historians from the political, multicultural Left. These then would paint through their ideology/wishful thinking everything non-European as better, more peaceful and humane, than European Christians. Again, Ibrahim might exaggerate, or listen too much to Right-wing podcasters or commentators, who also have an ideology or religion, namely blaming the Left (however they define it) for all the wrongs in this world, or making an uncontrollable monster from “woke” influence. That is also simplistic nonsense, in my opinion: whatever power “woke” has (often ignorable), pales in comparison to the ultra-capitalist “neoliberalism” which by now has a larger hold on Western societies and economies.

What I do agree with, however, is that there is an equally simplistic “political correct” school of history on the Left, specifically about the Islam. Sometimes these are led by Muslims or Islam-sympathizers themselves, but either way these tend to obscure factual (negative) aspects of Islam’s history, also regarding Moorish Spain.

Also, in some strayed “Black Power” circles – which contains much sensible insights too – there is however also said by some that “Africans taught Europeans civilization" and even have introduced regular “bathing”, during that Moorish time in Spain. This fits yet another ideological stance. Some claim that the Moors were “Black”, while most were North Africans, so not sub-Saharan African (these were more often slaves), and even besides this: over time many Islamic people in Moorish Iberia were converted locals (indigenous Spaniards and Portuguese, even several remaining “blonde, blue-eyed” Visigoths converted to Islam). The Moors – who first indeed came from North Africa (albeit led by Arabs) - brought some scholarship and advanced methods in their enlightened stages, somewhat disregarded in Iberia by then, that much is true.

The belief in Islam was so strong and overwhelming, though, that the Moors considered themselves more as Muslims than as Africans, even if indigenous Berbers or Imazigh (or sub-Saharan African). This type of thinking still remains nowadays in parts of North Africa, by the way: Islam identity-wise outweighs Africanness.

Moreoever, Islamic further conquests stimulated slavery of non-Muslims, including also many Africans (not just, and not even mainly, “White Christians” as Right-wing commentators falsely claim), Most were in many cases African slaves, but in some areas Muslims indeed also had European slaves.

The information on panels about the Moorish bath house in Jaén (NE Andalusia, Spain), also pointed out that the “hard work” for the multi-temperature baths (which involved in pre-electric times, ovens, and more) was done by slaves. Especially, élite Moors and Muslims in Islamic Spain tended to have slaves and servants.

ARCHITECTURE

In Moorish Spain, now, there were quite some African slaves owned by Muslims, as well as European ones. These also built – for instance – the Alhambra palace in last Moorish stronghold Granada in Spain, and some other “iconic” buildings in Moorish Spain and Portugal, giving “nice-looking” and artistic buildings a cynical touch.

Photo above: the Alhambra palace in Granada (SE Andalucia, Spain), the last Moorish stronghold up to 1492.

The White House in the US was also built by (African American) slaves, but I do not consider that sober, Protestant building as “pretty” to look at. Catholics and Muslims seem better at pretty buildings, haha

The Moors, in fact, did leave behind many visually pleasing, decorative buildings or architecture throughout Spain, even mixed as an enriching architecture legacy. These are often maintained or even restored regularly, as historical legacy. The Alcazaba (fortification) buildings of the Moors, for military purposes, were less artistic or interesting, though from a distance standing out somewhat dramatically in mountainous landscapes surrounding e.g. Málaga or Jaén, also when lit at night as in Málaga.

Moorish architecture was a difference with a later occasion when Islam conquered parts of Europe, namely the Turkish Ottomans conquering a large part of the Southeast, from Hungary and the Balkan to Greece. These left little material cultural legacies (no “beautiful buildings”), - some cultural influence -, though it did leave behind still practicing local Muslims in parts of Europe (Bosnia, Albania..): ethnically Slavs or Albanian, but Muslims..

CHRISTIANIZATION

The intrigue is also there with the Christianization after the Christian reconquest. In the case of Córdoba this was in the later 13th c. Developed local, neighbourhood churches with social work, according to historians, helped spread Catholic Christianity among the populace of areas once under Islamic rule. This gave Spanish Catholicism an “informal” nature, and space for “popular Catholicism”, with own festivities devoted to local saints or shrines.

Christian art after this Islamic time changed in that human portrayal – forbidden in Islam as idolatry – became very common: of Jesus, Mary, and other Biblical figures, or local patron saints. This was already part of Eastern Orthodox and Catholic Christianity elsewhere, but represented a remarkable shift toward “human relations”, seeming more social/socializing than abstract, if artistic, notions in Moorish art and decoration before. Human portrayal thus appeared in Cathedrals, and other Catholic places, while “the divine” became more human as well: Jesus was unlike Muhammad not just the “messenger” of the higher God, but was God itself.

With religions changed artistic notions, shown well in Spain’s history. Unlike Protestantism, Islam did allow beautifying buildings (albeit more in the interior) leaving many artistic decorations in monuments. Of course, also did Catholicism, leaving also many excellent Cathedrals and other buildings, sometimes with partly Moorish architecture influences.

Again, this points at irony, but also at how art influences other art, even across cultures.

Besides both being Abrahamistic, monotheistic religions, Islam and Christendom shared an idea of “magic” in daily life, worked out in Spain, but also serving as power tool for rulers. Marx’s “opium for the people”, one might say. At the same time, though, culturally, and artistically fascinating, with room for creativity.

This Christian, monotheistic “drive” in Spain seems an historic continuity beyond Christianity or Islam.

Even the infamous bullfighting is in fact connected by historians to early Christianizing/conversion. The ancient Iberian, Celtic and other “tribes” in Spain were known to worship “bulls” as god-like. The bullfighting symbolically represents the victory of Catholicism over such local “pagan” notions or practices in Spain.

INTERACTION

Maybe the crux of the Islamic legacy in Spain is in that it was not just a conflict, but an “interaction”. Islamic aspects - architecture, food, some customs - became absorbed within dominant Catholic Christianity. That interaction focused more on material culture and less on actual belief, though neither the latter was absent, e.g. Moorish period musical/vocal influences on Christian praise songs later in Spain’s history, or some daily customs.

Those “interaction”, cultural mixture, and “absorption” aspects have been overlooked, I think, in Spain’s history, by both “Right-wing”/conservative, or “Left-wing” historical scholars, emphasizing simplistic conflict or “lost paradise” ideas, related to religious conquests.

Both –lets’ face it – power- and conquest-focussed religions like Islam and Christianity had intolerant, repressive periods, and recurring attacks on certain ”heathen”, Jews, or free thinkers, showing at times abuse of power in - male led! - hierarchical (religious) societies.

Yet, despite and within all that, art and culture interacted beyond religion, showing today in much of Spain’s culture, still under the Catholic Christian “umbrella”. It however also disputes in a pleasant way, that religious zealotry or fanaticism, does not need to have the last say. Culture can have that too.

Spain – and most Spaniards – see practicing Islam as historically but no longer the essence of Spain: that station is passed. Unlike in Bosnia on the Balkans, or in Albania, no nation or groups of still practicing Muslims remained in Spain. The legacy is more subtle and beyond religion, organically developed during a rich history. It is absorbed within a wider Catholic-based culture, especially in Central and Southern Spain, despite intolerant epochs of that Catholic Church.

Further, the Castilian language ("Spanish") has due to the Reconquista and that interaction incorporated many Arabic loanwords from Moors in Al Andalus, for even daily things, including many words for household, food, and agriculture. About 8% of Spanish/Castilian's vocabulary is even of Arabic origin, to a lesser degree also Catalan and Portuguese. More than other Romance languages, due to Spain and Portugal's Moorish Islamic past. Arabic loanwords include words of common usage like the words for bed, cup, carrot, carpet, plug, neighbourhood, mayor, renting, as well as more "mental" words like "spirited", while also the stereotypical praise term "olé" in Spanish culture is originally a Moorish loanword for the religious saying "by God's will".

CURRENT VIEWS

Finally, it is interesting to study how the average present-day Spaniards (young and old) view their country’s Moorish past. Not much scholarly research has been done on this theme, though there are some known serious studies. I say “serious”, because much what is said about this is based on not much more than anecdote or only some sources. I know and heard those too, being a half-Spaniard (Spanish mother) with roots in the Southern part of Spain (with Moorish vestiges). In fact, my roots are not far from Córdoba.

“They (the Moors) left us some palaces”, some common Spanish folk I heard state, going not much deeper than that, perhaps adding patio’s and some foodstuffs (cold soup, rice with milk desserts). Common knowledge about historical epochs should – as everywhere and always –not be exaggerated. Only intellectuals, historians, or “history buffs” tend to study it more, also in Spain.

My personal impression is, talking with Spaniards, family and others, and listening to scholars, politicians, and fools (haha!) appearing in the media, that Spain's Moorish past is accepted and taken for granted, as one of those historical epochs of their country, with some remnants, especially in the South, and in sometimes appreciated material or culinary culture. Celebration as a "paradise lost" I heard or read less, maybe due to the conflictive past, and the Christian culture that became more shaping, even if (like elsewhere in Europe) now less influential in these modern, secular times.

Then there is the Internet and social media. I am not one of those who “blames” social media for misinformation. I blame certain ideologies and people who use it, perhaps. Stupid mindsets like you have in daily life too, mixing with sensible, positive people, also find their way to social media.

DNA

Regarding the theme of Spain’s Moorish part, and with the rise of genetical or DNA studies (developed since the 1950s, since expanded) a lot of strange, selective “revelations” are presented, on social media. Revelations which are often untrue, or, at most, nothing new.

The fact that present-day Spaniards might have some DNA from Moorish times – actual scholarly studies point in different directions – which seems logical, seems to offend some people, due to racial and cultural preferences. They present or distort facts from studies, showing that the promise of “genetics don’t lie” neither holds true. Especially in scholarly, scientific methods, DNA data can just as well be selective or manipulated, to fit wanted outcomes, even if we’re dealing in name with an exact science. I have worked in the academic world (with information), so I learned this.

Most studies – the more impartial ones – concluded that the genetic mixture of local Iberian people with Arabs or Berbers from that time was not as extreme as people think, but was neither absent (some 7% admixture overall), and furthermore affected by later (post-Moorish period) migrations, or even between Moorish and Christian kingdoms during the Reconquista period. It is hard to distinguish from earlier Semitic or Hamitic migrations (even in pre-Roman times) as Phoenicians and Carthiginians (partly mixed with Berbers/Imazigh) affected parts of Spain too (also the South) since 2000 BC. The African continent lies very close by, after all.

Yet, even stating that Spaniards have a bit more North African or Semitic (Phoenicians and Carthiginians spoke a proto-Semitic language, w. origins in what is now Lebanon) DNA – at most between 7% and 10%, with regional differences within Iberia, than other Europeans, ticked certain people off, wanting to downplay it. At the same time, these same people often exaggerate the Germanic influence in Spanish DNA, which is even smaller (only above 8% in parts of Galicia and Catalonia). Central-European DNA in Spaniards come mostly from Celts, neither being majoritarian, not even in NW Spain (about 30%). Older peoples, probably related to what would become Basques, left a higher imprint, along with various Mediterranean peoples, in the course of time. The population's genetic or DNA-base was thus largely formed when the Moors came, adding further some genetic admixture. That’s simply how history goes.

This shows several things. Most non-intellectuals (or fake intellectuals) do not like actual, serious, impartial studies, and it shows that many still think that “race” (or genetics) and “culture” are necessarily the same, as a kind of biological determinism around “pure races”, that also shaped European racism in colonial times, as well as in Nazi Germany.

In the case of Spanish history it is even more absurd, as it conflates “race” and religion (something of the mind), which stems from Spanish history, and some intolerant epochs up to the 17th c., when remaining, converted Jews or Moors were still mistrusted by Christian rulers for having no “limpieza de sangre” (“clean blood”). This sounds kind of “Nazi-ish”, but did lead to the ousting of some, not to their mass murder, but still: the same absurd thinking. Especially from densely populated Valencia and the East Coast (parts of Catalonia), many converted Moriscos (Moorish descent) and converted Jews (“conversos”) were ousted (Castile less strict), which therefore (as densely populated and wanted land) might relate to economic and territorial interests as well. Much of this – like all these religious conflicts and wars – seemed of course as much about power and interests, as about faith.

POWER

Religion is after all about “power”. That’s why I myself – not member of a powerful elite, nor wishing to have power over people - am more into “spirituality” and humanity, as I hope more people are.

The fact that both Islam and Christianity tend to emphasize a "better life" or "paradise" after death, while stimulating a fear for punishment during life, betrays in my opinion that they want to keep the masses subdued and controlled, not rebelling against the "powers that be". That is just my opinion, but I respect other people choosing to worship God/the divine in such structured religious settings - offering also a sense of community, I imagine. Power abuse aside, Christianity further has as base a well-written book and engaging story - and a sympethetic, kind-hearted protagonist in Jesus -, while Islam is a bit more "military" and tribal in focus, but in turn offers clear rituals and guidelines for one's life. To each his or her own.

As always in history – also during Moorish Spain – most common people had little say in power politics and went on to live their life, as much as they could, despite obstacles, or repressive laws. Many fake conversions took place, pleasing of authorities, bribes, in-between stances, etcetera.

This was also the case in the so much praised earlier Roman era, also shaping Spain in part, also linguistically: the elite made the laws, the populace had to adapt, and were partly discriminated. The Moors were no better, especially as Christians and Jews who did not wish to convert to Islam were “tolerated”, but as said only as second-class citizens, having to pay the rulers taxation/tribute (in their own country). Dhimmi: a kind of "protection money", so to speak. This is the historically common oppression and behaviour of occupying forces, or conquering, powerful “empires”, as we would later see with European colonialism, when European colonizers exploited and taxed Africans in their own countries, for economic gain (while so-called “civilizing” them).

NEUTRALITY

Still, also that Moorish history in Spain had own, intriguing characteristics, which are interesting for those interested in history, especially without taking any racial, cultural, or religious sides. This seems difficult, when dealing with a proud, emotional religion, or with politicized, ideological pro-Western (Right-wing) or anti-Western (Left-wing) stances.

I was therefore pleased that the information given in museums and at monumental sites in the South Spanish, Andalusian cities I recently visited (like Córdoba) seemed very neutral und “un-ideological” to me: just what historical sources showed and told. Not even own Christian Spanish intolerance in certain periods (since the 16th c.) was ignored, but objectively told. This is not even the case in some English or Dutch cases, by the way, known as more advanced nations, where own faults – colonial exploitation - in some museums or sources are still downplayed.

With such neutral information at historical sites, no ideology is imposed, but one truly learns about history and even human behavior. That shows progress, and represents in my view true civilization..

donderdag 3 september 2026

AI, music, and I

A recent (August, 2026) discussion arose between US “West Coast” hip-hop artists – and producers - of some renown, namely DJ Quick, and the better known Dr Dré (of NWA fame). Quick and Dré expressed different – quite opposed – opinions about the use of AI – Artificial Intelligence - in music.

In summary: Dr Dré used AI/Artificial Intelligence as a new tool, and appreciated it as such, claiming people opposed to it are just afraid of the “new”, like before people feared drum machines or synthesizers, and dismissed them as people who “have trouble creating”. He more or less implies that creative artists can still use it well, without loss of artistic integrity.

Dr Dré did not use the term “artistic integrity” (I do), and maybe the term “integrity” is not so liked by someone like Dr Dré from the “Gangsta Rap” scene, not so long ago lyrically still celebrating a life of crime, rather than of Black consciousness, even though that last “conscious” aspect was (opportunistically and insincerely?) imitated/adopted.

DJ Quick, by contrast, recently stated that he’d rather have bad human material than good AI material, calling AI – besides not ready for missing nuances as not human - further a violation of culture, and as appropriating from artists still active. A “violation of culture” is here strongly yet eloquently put.

To be honest, I did not know very well who DJ Quick was. This is not meant as subtle “diss”, but he just escaped my attention. DJ Quick was born in Compton (Los Angeles), where Dr Dré also grew up, and was (again like Dr Dré) influenced by Funk from young, ending up also in the “West Coast” G-Funk scene, with also connections to gang life. Like Dr Dré, he was influenced by George Clinton-led bands like Parliament and Funkadelic (which also influenced what became known as “G-Funk”), and appreciated live instrumentation over (solely) sample use in this brand of composed and produced hip-hop, characterized by slow, Funkadelic-like grooves.

And yes, Dr Dré and Dj Quick actually knew each other and worked together musically on occasion in the West Coast Rap scene, though some present them as rivals. That rivalry was assumed because of a supposed “diss” of Dré’s NWA in an early mixtape by DJ Quick.

Similarities and both active in the same scene (West Coast Rap, G-Funk..), yet an opposed stance on AI in music: that makes the different opinion all the more interesting. Both rap vocally (Quick a bit better, in my opinion), but are also are “beatmakers” and producers, so are more in the realm of AI than, say, a seasoned acoustic musician, not so in that “technology” and “digital world”. Many creative musicians I know are against too much AI in music, especially when as persons not so involved in technology.

Interesting to take this discussion broader to all kinds of music, though AI comes of course most in play when “digital production” is concerned. However, to degrees this applies in this digital and Internet age to many music genres.

TECHNICAL GUYS

I compose and record myself, but play instruments a lot with other musicians (different genres: soul, pop, funk, blues, jazz..) as well, such as on jamsessions in the Amsterdam (Netherlands) area. I play mainly percussion then.

My experience is that there are a lot of “technical guys” in the music scene, also among instrument players. Usually indeed “guys” (or: males) who tended to excel in exact sciences since high school (maths, electronics, etc.), so they might have less that reserve against non-human AI in music creation. Many might thus fall for it, I fear, and not just “non-musicians” or money sharks smelling an opportunity. The risk of AI is even bigger than that, also internal.

Those “technical guys” in the music scene might be reasonably more susceptible to “digital tricks” like AI, being less focused on the cultural/artistic/humanities side of making music that that AI downplays, but it probably differs per person.

Both Quick and Dré are active as “beatmakers” and song makers in the same music/hip hop subgenre, using modern technology like synthesizers, and in more or less the same time period (same “generation”), and geographical area (LA, USA). However: they have different/opposed stances on Artificial Intelligence in music.

Why? The differences between the two must neither be disregarded. DJ Quick is much more a musician and instrumentalist as such than Dr Dré: Quick plays from young several musical instruments, specialized in drum, but also guitar, keys, etc. He played such instruments himself for his “beats” too, and used his musician’s skills and experience for his production too, besides programming or synthesizers, with which Quick also worked. He stops short of AI, though, apparently. In an interview, he stated he in fact uses AI too, but for “educational” purposes, not creative ones: that comes after.

Dr Dré has many fans – and probably some musical talent – but is known to have less musical knowledge instrument-wise, certainly on a less deep musical level, than Quick. Case in point: Dr Dré called on DJ Quick sometimes for production “improvement” on some songs and albums.

Though interesting for me to learn something about DJ Quick – and he has some nice songs and productions - , this post will further not be about that West Coast Rap/Hip Hop scene. I am open to all kinds of genres, but I was never really a big fan of that subgenre of Rap – save some songs -, being personally more a Reggae fan myself. The Hip Hop I was once more into (around 1990 a bit more) in periods was more East Coast (Public Enemy, PRT, Slick Rick, Busta Rhymes, LL Cool J.)..

This post is however about AI in relation to music composition, playing, and production. A useful and timely debate, I find.

Many in the music industry have chipped in on this debate – in the US and elsewhere -, of course, and now it’s my turn.

SYNTH AND AI

Is the rise of AI really comparable to that of Synthesizers (or: e.g. drum machines) in Pop music since especially the 1980s, some back in the day also deplored as “artificial” or “fake” somehow? Not really.

A Google search using AI (oh, irony) on this got as response:

“The primary difference between a synthesizer and AI music is who makes the creative decisions. A synthesizer is a manual tool that generates audio signals a human must actively sculpt and play, while AI music relies on machine-learning algorithms that can autonomously write melodies, generate lyrics, or compose entire songs from scratch.”

Those “creative decisions” are crucial in my regard in this discussion. It also contradicts Dr Dré’s dismissal by equaling AI-critics to those in earlier epochs also fearing “the new” like synthesizers or drum machines/programming. That is in my analysis a “false contradiction”.

Not everyone likes synthesizers or “digital-sounding music” - preferring e.g. real musical instruments - but at least such technology or programming has degrees of quality and creativity which are ultimately “human-made”. AI – with those machine-learned algorithms – is artificial (but not intelligent, ha!). The same applies to drum or other music programming: ultimately it is human-made, albeit by looping recorded bits. Sure, easier and not the same as actually drumming with sticks on an actual drum kit for the length of whole songs – or even concerts -, including handling breaks and such – as skilled trap drummers can - , but still: you get out of it what a human being puts it. Humanity is simplified, but not lost or absent.

In AI – I would argue – humanity is often actually “lost” or ignored, which is maybe a sign of the times. It contradicts – moreover – the meaning of “culture” and “art” as essentially human. Worse still, it might detach music - as “organized sound” as some called it – from other “art” and “culture”, not so easily “digitized”. Also a trend I deplore.

TECHNOCRACY

A worrying trend which I am even willing to relate to broader, troubling philosophical dimensions. I am talking about further steps of taking away agency from people toward an economic elite-friendly system (for the 0,001% wealthiest in this world), triggered by technology, thus with dehumanizing results, toward some kind of “technocracy”. Each human being has a value by itself, and even in international human rights legislation, this is acknowledged. Technology overtaking human creative expression is a step too far. AI should be limited to the quantitative and educational: in dealing with a lot of data. Then it aids us as humans.

In my opinion, humanity stands above that, if we want to keep the world livable for all people, rich and poor. Folk culture is what you get when people are left alone (by economic or political forces, at least temporarily) and to their own devices. It’s through own creations that man withstands dehumanizing or unnatural “robotizing” amid omnipresent and dominant external forces making you a “wage slave”.

The hypocrisy among world elites is stunning. The “climate” hype is presented as environmentally concerned, yet is held up by the same people (that 0,001% wealthiest elites) detaching humans more and more from naturalness.

Precisely because that “climate” hype is just that: a hype, to distract from – not solve - actual environmental, and polluted nature, problems. These are caused by big multinationals and powerful economic parties, or governments, and not by common citizens wishing to take hot showers daily without minding the clock, as the propaganda criminalizes. Human activities (on a larger scale) can influence the natural environment, but hardly the “climate” (or global warming).

That’s another issue, but somehow related, as AI in creation strays away from “natural” behavior.

AI in creating music (or other art forms) encroaches on that naturally human base of individual expression. The right to be unique, to be different, is the same as the right to live and breathe. And: to be free on your own terms.

The “naturality” of humans making music is also that the same hypocritical “powers that be” keep attacking, despite the vague “climate” rhetoric, lacking (non-manipulated) scientifical evidence. Food production in the West has many artificial, non-organic elements, standard in most products in regular supermarkets.

The artificiality of “food” has become so common that you don’t even know what you eat, with negative health effects.

Artificiality in music creation destroys this purity or “organic nature” likewise. Here the health effects might be more mental.

OTHER WRONGS

For better or worse, as this does not mean that there are no other types of wrongs or corruption within the music industry, even without or before the advent of AI: selfish, slick money sharks - studio owners or producers (or REducers as Peter Tosh called them) - exploiting naïve artists and their songs (occurred e.g. in Jamaican Reggae since the 1960s), commercialization in general, stereotype (gender, race, national) confirmation, racial prejudice, swollen ego’s, jealousy, money greed, hard drug use and addiction.. etcetera etcetera.

Plus I have not even mentioned nepotism, favouritism, partly through gatekeepers. You need to know people, especially those influential ones lacking jealousy enough to want to give you a chance. This nepotism tends to mix with other problems, such as racial preference and greed.

All things - good and bad – of people interacting in company or as different individuals, character-wise compatible or not. Working out or not. Pleasant or not. These relate to morality and social interactions and its dynamics, and present inequalities.

Quality-wise, - the end-products - , there always have been problems too: some self-declared artists’ songs are of course not everyone’s cup of tea. A matter of taste, and tastes are personally shaped, which is also psychologically interesting.

Some clearly lack original talent: their main talent seems to imitate a “success formula”. Some are not as good as they think, at least in the style of music they want to make, but even this lack of quality – or imperfections - can be inspiring to do better. They themselves, or others hearing it. Again: social dynamics, or in cases healthy competition, as you also have in sports.

Some artists have nonsensical or even negative (violence promoting, women degrading) lyrics, yes that too.

Others with actually good songs or talent often are ignored. That’s also part of social dynamics, like I said: for better or worse.

At least - despite all these possible flaws and inequalities - we are dealing with real humans, creating freely, making individual choices with their own agency. That is simply real life, among real people. Real freedom.

Real (non-artificial) “intelligence” shows in you maintaining your “soul”, own personality, and morality within all that, while - as an artist of the creative type - making original art as an individual.

I recently read an interview in a Dutch Psychology magazine ('De Psycholoog', of April 2010) with a Dutch psychiatrist (called Esther van Fenema) specializing in treating musicians, as she herself was one too (strings/violin): she knew their issues. These issues go well beyond “stage freight” – which some have and some don’t -, but also toward stress, psychological trauma, and various neuroses among musicians. Composing and performing musicians deal moreover with the highs and lows of human emotion, so tend to be more often neurotic, this lady interestingly said.

AI is a cold and “sanitized” way to escape this, as you keep your own emotions or psyche out of it. But it’s not “creative art” anymore then. Art is, after all, the result of pain. Like “soul” is “can’t”, as James Brown once said.

AI is also certainly also less individualistic, as you draw on what others did..

INDIVIDUALISM

That “individualism” is seen as typically Western by many, also when applied to artists. Devoted or professional artists in e.g. Africa – like the specialized “griots”: travelling musicians and storytellers/singers – in parts of Africa (Guinee, Mande-speaking areas and around) clearly still have a “community” role, sharing a people’s cultural stories and historical accounts. Walking repositories of culture of a people, you can say.

Artists in the West have the image of sole, detached individualists, apart from “common” people or society, with idiosyncratic, self-involved personalities, and not seldom problematic addictions or vices. That is a simplified image, however.

GRIOT MODEL

In reality, or in essence, the difference with the African cultural “griot” model is not that big, functionally. As another psychological article on music (in that same Dutch Psychology magazine) pointed out: music – and a shared music taste – has various human functions, also for “fans” of some styles or genres in the Western world, a “social” bonding function, albeit now often in self-made or “looser” modern communities than historically shaped, traditional ethnic ones.

This links it in the end more to humanity than to “cold” and lifeless technology, however “collectivist” a society might be (compared to Western ones). Griots, like many singers/artists, even in “pop”, keep traditions alive though their personal creativity.

Another “soulless” and “lifeless” element before AI already damaged the music industry, encroaching on human creativity: being: money. Commercial considerations often mix(ed) up with racist or stereotypical considerations, under the guise of adaptation to markets. To differing degrees.

Again, maybe objectionable, but also done by humans with their own agency.

INSECURE MEN

A healthy individualism of course requires self-confidence.

I heard several experienced people in music conclude that there are many “insecure men” (and less women) among musicians, which might relate to neurotic behavior as the mentioned psychiatrist found commonly among them.

I assumed this too, although I did not immediately notice that this insecurity could hide behind “over-confident” or authoritarian outward behaviour. I just thought those fools had bad, selfish manners that had never been properly contradicted or corrected. In time I learned authoritarian manners also stem from their insecurity.

In recent times, the “Freudian” psychological term “neurosis” came more into disuse – especially by non-Freudian psychoanalysts -, but was used more in Sigmund Freund’s own times. Neurotic traits maintain a touch with reality, while the term “psychosis” relates to worse conditions, when even that touch with reality is lost. The recent Covid “p(l)andemic” was a good example of an (irrational) “fear psychosis” of a mass nature.

Insecurity can do many things among men, even make them wicked, authoritarian, and immoral, just like they always say that the biggest “bullies” of other children in school classes tend to be insecure themselves. In my experience and memories of school days, bullies tended to be overly extrovert, like the proverbial empty barrels mainly insulting and criticizing. These might end up in music too.

Some stay like that until old to some degrees, also because –very Freudian! – the “bully years” usually includes adolescence as peak period, including often first sexual discoveries and first personality formations that were (in one’s own psyche) “rewarded” thus continued. The “bully” mindset is perhaps too superficial for the “highs” and “lows” of musical creation, but in facilitating or organizing (with nepotism) – or gatekeeping – functions in the music industry, they tend to thrive.

More introvert insecure guys – also among the technical guys in the music industry, but also found among skilled, driven instrumentalists – may be in another way too insecure to trust their own inner voice and creativity, preferring playing instead just what’s told or required.

These “insecure” personality types might fall perhaps more easily in the trap of AI, since not creating themselves extensively and having a disdain for all-too-human frailties, and as Google/AI responded to my search: saying that AI takes over human creative decisions.

“Nuff said” to me as a songwriter and artist to dismiss it, and I’m curious how Dr Dré thinks he’s using it creatively, if that can at all be done..

At most, I imagine, AI uses can be combined with creativity (adding other music or vocals), and even that tends to have mediocre results, in my opinion.

WHERE I COME FROM

This is thus my stance on Artificial Intelligence (AI), but who am I?

Since I delved (broadly) into Dr Dré’s and DJ Quick’s musical background in this post, saying something about mine seems reasonable.

I sometimes think I was born to be a songwriter, but at least it is a fact that I made and released many songs publicly (on Internet) by now, often singing on instrumental music also created by me.

I always liked writing songs, and since young idea’s for “tunes” came into my head. People more openly spiritual than me called this a “divine sign” of sorts: musical and lyrical ideas popping up in your head, in response to things around.

Anyway, I tried to record own songs often. I started with MIDI, keys, and some percussion, only in a later stage I really studied playing percussion, preferring hand drums also as counterpoint to increased digitalization. I liked that Folk and World music vibe, being besides in Reggae since my teens, also in African music, Afro-Latin music (e.g. Cuba), as more traditional African music with hand drums soon appealed to me.

I never used synthesizers or drum machines, but was neither a “technophobe”: I used MIDI and what are called Digital Audio Workstations (DAW), like Cubase, Reason, Logic, and other such programmes. Ironically also to record multiple acoustic instruments sometimes, and for the Internet (like YouTube). Double irony there.

MIDI sounds of instruments I did not own - or knew well enough - to play (but note-wise enough) I also used, being samples of the “real thing” (e.g. a saxophone, trumpet, accordion, organ, jazz guitar, name it..). As these were samples, sounds came often quite close.

My song making bears a strong Reggae influence due to my love for it, but I try different genres out, being further influenced by funk, jazz, Flamenco, Latin, African, and other genres I liked.

Is this (MIDI samples instead of real instruments) as fake and artificial as AI? Not in my opinion. Like I said, I invent and create the notes on a keyboard, just like you can do on the instrument itself.

Yes, actually playing a saxophone is a totally different story and requires more skills than playing sax notes on a MIDI keyboard, I know. Yet, there is my creativity involved and with that open humanity behind such compositions – of whatever quality -, that is at most “simplified”, but not “denied” as in AI.

As songs came to my head, I wanted to do something with those recurring melodies/rhythms, liking also the “building up” of songs with layers of instruments, chord-wise, rhythmically, etcetera. DAW Midi sets have percussion and drum sets, but in time I played for my compositions more often the drum part on a real drum kit (with sticks in my hand, so to speak), most percussions (of course!) – as I live in a virtual “percussion museum” -, and sometimes a “real” guitar, harmonica, or flutes, I have.

Artificial Intelligence (AI) replacing all that, would for me kill all the joy, for me as someone of the “creative type”. Both of making music and expressing myself through it. My personality and worldview are in all this, without a question. Fame is dangerous, but some ego or pride is in all this inevitable. A sense of humour, and not taking myself so seriously - which I don’t – makes this bearable, I hope, and perhaps even interesting. At least it is how I musically express myself, after receiving several influences.

Personalities can be interesting, if you’re at least a bit a “people’s person”, as they say, and are interested in human variety. This need not be equaled with caressing some fool’s fake ego.

That is however to the listeners, the people “out deh”, to judge or evaluate if they like a self-declared musician’s “style”..

REAL KNOWS REAL

Regarding AI in individual music creation I’m therefore more on “DJ Quick’s” team in being skeptical of AI’s creative use in it, more than on Dr Dré’s. Like DJ Quick also said in an interview: he was almost never tricked with AI-generated songs, he always heard it was AI, and I have experienced the same.

I immediately sensed it with AI-generated Reggae, I heard sometimes. There’s no humanity, no “soul”. With this came fake/nonexistent “fictional” artists with AI songs online, - Sienna Rose a known example - and other such nonsense or scams, sometimes able to trick listeners. Some recognize the AI, some don’t, it seems.

Real knows real, I guess.

DEHUMANIZING

An important point I want to make - but hinted already on - is also that AI creative use in music goes too far because it continues a globalizing “dehumanizing” historical trend in human history, triggered by technology and economic globalism, such as capitalism: mechanization, robotization, and in a general sense: the fear of elites that common folk start "thinking for themselves".

Of course, slavery and warfare – groups dominating others – is all historically as old as organized man, including structural inequalities. Now it’s however more sneaky, hidden, and at the same time generalized, taken for granted, like the clock.

The own agency of individual people must remain not only free, but even expanded toward in today’s world oppressed peoples: modern slaves/exploited labourers, the poor, often hungry lower classes, women and girls who in some cultures and states are second-class citizens, other discriminated groups in some societies (racially, socially, culturally). They need to express themselves, or at least be spoken for.

Great musical artists, like Bob Marley, Fela Kuti, James Brown, PE, Stevie Wonder, and others, have always spoken for them and to them. Others – with less “political” lyrics – still expressed an own culture or artistic need. Paul Simon’s album Graceland gave Zulu music more exposure, for instance. This is still necessary. The confusion of AI with “the real” in musical expressions disturbs that, might weaken that “improving the world” spirit.

There is a parallel with other current (political) trends among the (0,001 % wealthiest) élite or “powers that be” now incorporating/appropriating “Left-wing” rebellion, to pacify and weaken their impact. The “climate” policies and “woke” nonsense are examples of that, at the same time serving as distraction and scapegoats for equally foolish “right-wing” commentators, neither very interested in social justice or cultural variety.

This unequal world in which we live, and the funds required, makes AI being pushed from the top-down by wealthy entrepreneurs, often aided by politics, as common in modern neoliberal capitalism.

The masses of the people should “pick sense from nonsense” and develop wisdom and caution to use AI in their own benefit as free persons. It is handy for retrieving information (like a Google Plus), put order in a bulk of data and information, and helps in that sense in an educational sense. It assists “information-wise”.

Then, but after this and without AI, comes “knowledge” in individual minds, followed (hopefully) by “wisdom”, and then “creativity”, possibly artistic. That is the naturally human way of “finding your way” in this world, since the stone age, aided by inspiration from all around.